Audio Plugins

The Art of DSP Saturation

The Art of DSP Saturation

DSP engineering has come a long way in implementing fantastic sounding saturation designs for the ITB mix engineer. To understand saturation, let’s look at the flavors of saturation we encounter in both analog and digital domains to gain a better understanding of how and why they sound.

“Vintage” DSP: ReaComp

“Vintage” DSP: ReaComp

Nearly eighteen years after the first freeware cross-platform version of ReaComp was introduced, it still provides one of the most extensive ranges of control parameters in a compressor. Exploring its features serves as a primer on compression.

You Think It’s Analog Vibe, But It’s Really Garbage

You Think It’s Analog Vibe, But It’s Really Garbage

Music producers who work exclusively in the digital domain seem to be obsessed with “analog vibe and character.”
As computers become more powerful, the quest for convincing “analog emulation” is more intense than ever, but there are still misconceptions about the underlying technologies and their inherent applications. Discover why it has taken so long to convincingly bridge the divide.